The Assembly work deals with homelessness and all his portrait projects feed into his long term goal of making Assisted Self-Portraits that are collaborative 'exploring the tension between authorship (or artistic control) and participation, and the ethics involved in representing other people's lives.' Brighton Photo Fringe (2014).
Unfortunately a photo book fair was taking place in this exhibition space and the place was packed with people browsing the books. It wasn't possible to stand and view Luvera's work without feeling that I was in someones way.
There was a discussion amongst the group afterwards in relation to the way in which the portraits all look like they are posed in a similar way. Some of the students felt that Luvera still had too much artistic control over the subjects for the work to be truly participatory. I can see that whilst working with a photographer over a period of time, looking at portraits and other work, the group could form a consensus about how they think they should appear in a piece of photographic art. The group dynamic itself can influence thinking and outcomes. I can see where the 'tension' element comes into play as the whole process is changing the way the subjects view themselves and the end portrait could be wholly different from one taken at the start of the process.
Reference:
BFP14 (2014) Assembly Anthony Luvera.
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